Do you have time for beauty? What’s the moral mathematics of the moment?…Art without a frame.

“Context matters…

For many of us, the explosion in technology has perversely limited, not expanded, our exposure to new experiences. Increasingly, we get our news from sources that think as we already do. And with iPods, we hear what we already know; we program our own playlists.

…art without a frame. Which, it turns out, may have a lot to do with what happened — or, more precisely, what didn’t happen — on January 12, 2007. “

—————————————————
Huh? Just what do these 3 above snippets have to do with each other? Five years later, I just found out about this thanks to my friend Christine. I am amazed, fascinated, and intrigued. Their are two funny peronal coincidences I will share first. 1) This happened in my home town of Washington D.C. 2)  The article originally ran on April 8, (2007) – my birthday.

After reading the whole article on the Washington Post site- I take exception the sentance below that says -” The one who paid the most attention was a 3 year old boy.” It turns out that 2 adults did actually stop and were truly in the moments for the beauty and joy. – Curious? Read the abbreviated version below (from Urban Legends)… and read the whole story called Pearls Before Breakfast on  The Washington Post site.  By the way, I checked around- this IS legend, NOT myth!

A Violinist in the Metro 

A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousand of people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.

A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.

A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.

No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.

This obvisously applies to ALL ART. Since Birdelini has The Oscars on tap for this week and her mind…. one can’t help but wonder- Just what did miss? What were we too busy or tired to go see? What politics played with the nominations?  What if…….
Don’t forget – stop, see, smell, and hear the beauty  the roses today! 
“It’s an old epistemological debate, older, actually, than the koan about the tree in the forest. Plato weighed in on it, and philosophers for two millennia afterward: What is beauty? Is it a measurable fact (Gottfried Leibniz), or merely an opinion (David Hume), or is it a little of each, colored by the immediate state of mind of the observer (Immanuel Kant)?” (read on)

Can Debra Mann & Joni Mitchell make the sun shine?

 Tribute to Joni by the Debra Mann Trio – Barrington, RI – Oct 2

Barrington Library :October 2, 2011 @ 2 PM / 281 County Road, Barrington, RI 02806 (401)247-1920The Debra Mann Trio blends Joni Mitchell’s incomparable words and music with a sparkling jazz touch. Enjoy “The Circle Game,” “Big Yellow Taxi,” “Woodstock,” “Both Sides Now,” “Blue,” and more. The Trio features Debra Mann on piano and vocals, Dave Zinno on acoustic bass, and Steve Langone on drums.The Debra Mann Trio is a featured act at clubs and festivals throughout New England. Their annual tribute to Brazilian composer Antonio Carlos Jobim sells out every year. Debra Mann has been a guest vocalist with the Boston Pops Orchestra and The National Academy of Recording Arts & Sciences placed Debra Mann on the Official Ballot for the 2010 Grammy Awards in the following categories: Record of the Year (‘Autumn’), Album of the Year (‘Home’), Song of the Year (‘Heart of Love’), Best Pop Vocal Album (‘Home’), and Best Improvised Jazz Solo (‘Autumn’).-http://jonimitchell.com/

Well, all I can say is it was grey and rainy when I walked in and sunny an hour later when I left! So apparently, YES, the duo do indeed make the sun shine! Debras Tribute to Joni was AWESOME. Songs I had forgotten all about, songs I had never heard and that amazing voice of Debra Mann. My life, this blog, and all the stuff we all do keeps me pretty busy, so when I venture out and give up a whole afternoon you can be sure I have to be clear that will be worth it. When Debra plays- it is!  The extra bonus was that Barrington RI Library was also a very pleasant surprise. I knew Barrington was a charming town on the waters of RI but I didn’t know that the library auditorium was FAB. Topping it all off, the crowd was great as well as plentiful, and I found out later that she is actually thinking of making a CD of this body of work, i.e the Joni Mitchell Tribute!
If you missed this – you have another shot at hearing a similar afternoon in November.
If you can make it I would highly recommend it.
When: Sunday, November 6, 2011
Where: Warwick Public Library —
600 Sandy Lane, Warwick, RI (401) 739-54401
At 2 PM.
This song Autumn is not a Joni song but it gives a quick sound sample  of Debra
D.Mann- Autumn sound sample  (click to hear) and her music.

Vegetables turn into Music Magic

“\\ what makes the music more than just a curiosity, however, is the fact that even if the instruments weren\’t so unusual, the funky grooves they conjure and the hauting wisps of melody stand up on their own. The fact that these sounds couldn\’t be made in any other way just amplifies the accomplishment of such beauty.\\”
(Andrew Choate, Signal to Noise Magazine, USA)

ONIONOISE -The Vegetable Orchestra

AMAZING! The Album cover for their third CD

You can buy their Third album in iTunes:  (available in iTunes)  http://itunes.apple.com/us/album/krautrock/id389526062?i=389526595

Right from their website- “Worldwide one of a kind, the Vegetable Orchestra performs on instruments made of fresh vegetables. The utilization of various ever refined vegetable instruments creates a musically and aesthetically unique sound universe.

The Vegetable Orchestra was founded in 1998. Based in Vienna, the Vegetable Orchestra plays concerts in all over the world.

There are no musical boundaries for the Vegetable Orchestra. The most diverse music styles fuse here – contemporary music, beat-oriented House tracks, experimental Electronic, Free Jazz, Noise, Dub, Clicks’n'Cuts – the musical scope of the ensemble expands consistently, and recently developed vegetable instruments and their inherent sounds often determine the direction.

A concert of the Vegetable Orchestra appeals to all the senses. As an encore at the end of the concert and the video performance, the audience is offered fresh vegetable soup.

In artistic, aesthetic and infrastructural decisions of importance all members of the orchestra have their equal vote. The ensemble is a mix of people with different artistic backgrounds – musicians, visual artists, architects, designers, media artists, writers and sound poets all come together here.

The further exploration and refinement of performable vegetable music is a central part of the orchestra’s aesthetic quest. Every individual background that is brought into the project is of vital importance in sustaining the fundamental artistic objective of the Vegetable Orchestra.The broad variety of creative approaches at the same time secures the artistic autonomy of this unique ensemble.”

FAQ from the website:

WHEN WAS THE ORCHESTRA FOUNDED?

the orchestra was founded in february 1998.

WHO IS THE BOSS, THE LEADER, SPEAKER ETC. OF THE ORCHESTRA?

there is none. we are a group of self-organized women and men working collaboratively on this project.

WHO HAD THE IDEA?

we don’t remember. it is not the idea that matters it is the realization. the idea was born and carried out by a group of people, who came from different musical backgrounds (improvisation, electronics, pop, rock, punk, contemporary,……) and have worked together before in various projects.

ARE YOU SERIOUS ABOUT YOUR MUSIC?

yes we are. this is not a just-for-fun project.

_________________________________________________________________________

CD Info: “ONIONOISE is the third CD by The Vegetable Orchestra, an ensemble unique to the world of music which is committed to the exploration of the acoustic qualities of vegetables.

In addition to performing on the international concert circuit, the 12-people collective from Vienna has spent the last dozen years experimenting with the building of vegetable instruments, industriously unearthing the acoustic universe of roots and legumes, cabbages and courgettes.

All the instruments used are exclusively made from vegetables: from fresh as well as dried plant material such as carrot, leek, celery root, artichoke, dried pumpkin and onion skin. All these components are used for building organic instruments and sound generators which usually only last for one concert or one day in the studio. In addition to the vegetables, various utensils like record players or power drills are used to create unusual noises and to add unexpected texture to the music.

The sounds produced by the vegetable instruments are amazingly multi-layered: transparent & crackling, shrill & massive, dark & hypnotic, funky & groovy – a heterogeneous multitude of acoustic gems and strange, unfamiliar sounds whose organic origin is not always immediately recognizable.

The compositions are tailored to suit the specific characteristics of the vegetable instruments being used, in terms of their sonic attributes and practical considerations to optimize performance. Stylistically the music oscillates between organic pop music and aural sound experiments, with inspiration from various sources: Minimal Techno, Ambient, Noise, Pop, New and Electro-Acoustic Music.

One important characteristic of the orchestra is its collaborative self-organization. Every aspect of the CD (from compositions, photographs, cover design, to label and distribution) has been developed and decided collectively by all members of the ensemble.

This CD is an aural voyage through phantasmagorical continents of sound and imaginary gardens. Living music: multi-layered and idiosyncratic.

The elaborate Digi-Pack also includes a poster.
CD Design: Tina Frank, Elvira Stein
Photography: Alexander Koller”   ___________________________________________________________________________

There is tons more fun and interesting info on the website – check it out, I think you will be glad you did!   As I am writing this I am listening to the CD of Onionoise- it really is amazing- different, haunting and truly vibrates down to your stomac. I am not sure you will like it/love it (I do) but I am sure you will be fascinated! Odd and very cool!   You can listen to sound bites on the website http://www.vegetableorchestra.org/sound.php

Hope to see you all on Friday….

The Joy of Music

I was feeling a little down this past week. First, it was raining, make that pouring, in the beginning of the week, I would not make it in the Pacific NW, I really DO need to see the sun! Not only is pouring/pelting rain a pain in the butt, crummy for dog walking, it also stinks for driving! Second, when the rain was over the 9/11 news, reminders, events all came into full swing, and that too was depressing. Important but depressing. Third, I knew I had a weekend of basement cleaning ahead of me. Not fun. Overall, I was just in a grumpy mood all week. The carrot at the end of the stick was on Saturday night we were going out to eat and hear some music from Debra Mann. She is turning into a friend as well as a favorite female jazz singer and pianist. I was just reading her website and found out…”The National Academy of Recording Arts & Sciences placed Debra Mann on the Official Ballot for the 2010 Grammy Awards in the following categories: Record of the Year (‘Autumn’), Album of the Year (‘Home’), Song of the Year (‘Heart of Love’), Best Pop Vocal Album (‘Home’), and Best Improvised Jazz Solo (‘Autumn’).” Wow! Congratulations Debra!

Last night at Chan’s in R.I she sang/performed many of her own original songs. I asked Debra about how she felt about last night and she said “I just loved the intimacy of the smallish crowd, and how the sound was so great. We were able to play with a wide dynamic range because of the conditions. The band sounded so great, too. I feel so blessed.” One of the motifs Debra played with last night was humor and songs by Dave Frishburg.  I had never heard of him so I “goggled.” The first part of his Bio reads-” It’s difficult to find a category for Dave Frishberg’s songs.  The New York Times described him as “the Stephen Sondheim of jazz songwriting”, and The London Daily Telegraph called him “a Woody Allen of song”. In his song “My Attorney Bernie” the first line is 
“I’m impressed with my attorney Bernie…. and further into the song …
I admire my attorney BernieI. I admire any guy who knows his stuff”
 Well, I have to say - I’m impressed with my musical friend Debra - I admire my jazz friend Debra.. I admire any gal who knows her stuff!” …  I walked in grumpy and left happy! The power and joy of music, with The Debra Mann Quartet, who made it all happen… Thanks!

‘A voice that wraps itself around a microphone like a soft feather boa’ - Rebecca Parris, Eight-time Boston Globe winner, ‘Outstanding Jazz Vocalist’

Have I enticed you? I hope so!
 Want to hear Debra Mann play for yourself? I hope so. Here is her upcoming schedule.

Saturday, September 17, 2011 
Greenvale Vineyards 
582 Wapping Rd.
Portsmouth, RI
1-4 PM
(401) 521-3333
 Debra/keys and vocals
 Joe Esposito/sax
Dave Zinno/bass

The Debra Mann Trio interprets the music of
 Joni Mitchell: A Retrospective Concert
 Sunday, October 2, 2011, 2 PM :
Barrington Public Library Theatre
 Sunday, November 6, 2011, 2 PM :
Warwick Public Library Theatre.

If you go to the Library shows, I hope to be there too! Unfortunately we will miss the vineyard one next weekend, but, we went in the beginning of the season and it was a lovely afternoon. Highly recommend it if you can make it. Wine, scenery, and great music-hard to go wrong!

Debra Mann Website : http://www.debramann.com

Tilly + Deb Jazzing on a Piano

Tilly + Deb Jazzing on a Piano (image from a May blog post -http://botanicalbeautiesbeasties.com/2011/05/19/grove-and-kicks-the-art-of-music-with-debra-mann/ )

Groves and Kicks – The Art of Music with Debra Mann

debra mann – home - click for sound bites and to download Debras Album called home.

The Art and soul of Music – part 1

Tilly & Debra each at their Pianos

Tilly Loves Music, especially Jazz! On this past Tuesday Tilly had pleasure of interviewing Debra Mann who is a lovely Jazz Musician. She is a singer and pianist who began classical piano studies at age six. She went on to study at Miami Dade Jr. College, and graduated cum laude from Boston’s Berklee College of Music. Ms. Mann has also had training in voice (both classical and jazz studies), advanced jazz improvisation, and composition (both with the renowned Charlie Banacos). She has been described as: “‘A voice that wraps itself around a microphone like a soft feather boa’”  - Rebecca Parris, Eight-time Boston Globe winner, ‘Outstanding Jazz Vocalist’  … “A wonderful gift for communicating emotionally when she sings. Her songwriting – an obvious melodic gift, and such a gift is rare.”  - Michael Scott, professional composer, Warner Bros. Music

We are honored to share a bit of the interview with you here today.  We did take some liberties in paraphrasing for we spoke for about an hour!

Tilly: We have been thinking, and chatting, about Public Art for the past few weeks here in the Land of Botaniumus. Do you think of Music as Public Art?

Debra: Yes- it can be. Music is available in so many different mediums/venues, i.e. on the street, on a public P.A., so many places are possible. In a city you often can’t walk down a block without hearing a musician playing. Warm weather brings out the public and the musicians with organized Concerts in Parks. In today’s world there are no more Boom Boxes, they have been surpassed with personal headphones, it seems like we have enclosed the music. (We both are a bit sadden by this.)

Tilly: Do you “transform” into your music when you are performing?

Debra: Yes-it’s a process. It begins even before I even leave the house. As I am getting ready to go, putting on my make-up, loading the car, driving to the site, while I drive I am doing vocal warm ups, and finger exercises on my knees. It is all part of it! (Tilly and I  feel a sense of excitement and joy in her voice, that I am guessing she feels as she prepares.) When I get to the place, I am mentally prepped. Then the music starts! I am given over to a greater power, tapping in to be a vessel for inspiration – ego must get out of the way – it’s a place that is  just about the feeling of the music. I am transformed (and hopefully) the listener is as well.

Tilly: You said to me that Jazz means to you that one lets go, you see/feel what happens, and all that affects the music.  Your music is fluid and free-flowing – rigid rehearsals are not part of your Jazz.  It is more improv. We love that and wonder how does that work in a performance setting?

Debra: As we play everything effects where we go with the music. It’s alive and we go where we feel the music and audience takes us. The immediate response, the moving and shifting based on EVERYONE, the musicians and the audience. That is the beauty of a live performance!

Tilly: Do you write your own music?

Debra: I am writing more and more –lyrics and instrumentals.

I have made it a part of my day. I write everyday. I am so prolific I almost have to put the brakes on! I typically write a set of chords first. Lyrics can take over and drive. I am writing more and more instrumentals, and I may or may not embed lyrics into them later. When I perform, I sing and play jazz standards, primarily, as well as some originals.  I hope to perform more originals as I continue with this outpouring of writing…I am loving all this writing and hoping to perform and record more.

Tilly: Where can we hear you play? (The Interview was performed over Skype but Debra lives in RI, Tilly is hanging out in RI for a bit, these listing are for the local New Englanders!)

~ Friday, May 27, 2011
  Debra Mann Piano and Vocal with Bass player Frankie Rizzuto at 
The Lobster Pot
119 Hope Street / 
Bristol, RI  / 02809-2047  
8-11 PM
   401-253-9100

~ Sat, May 27, 2011  
Debra Mann Trio at
 Greenvale Vineyards
Live Jazz at the Vineyard  Bring your friends and a picnic, it’s the perfect way to spend an afternoon in the summer!
582 Wapping Road, Portsmouth, RI 02871 /  1-4 pm
401) 847-3777   http://www.greenvale.com

~ Sun, May 29, 2011  
Debra Mann Trio at
 Ocean Cliff Hotel & Resort
In the Safari Restaurant
65 Ridge Rd, Newport, RI, 02840, (401) 841-8868

Tilly: Debra – it has been a pleasure- thanks so much! 

Stay tuned for part 2 ! Watch in the near future for more, for we had a fascinating conversation about Art that you hear, verses Art that you see.  


Debra Mann Website : http://www.debramann.com